Summary
Period: Angkor (Khmer Empire)
Height: 36 CM
It could have been stolen from Cambodia before or around 1965 beause it had been seen in Bangkok, Thailand on October 8, 1965. In 2018, it was in New York, USA.
Introduction
The image depicts a bronze statue of
Vishnu, the Hindu god of preservation, crafted during the Angkor period of the
Khmer Empire. This era, spanning from the 9th to the 15th centuries CE,
witnessed a flourishing of Khmer art and culture, with Angkor Wat serving as
its iconic testament. The statue, with its serene expression and intricate
details, exemplifies the artistic prowess of the Khmer sculptors.
Artistic Analysis
The bronze figure stands gracefully,
adorned with elaborate jewelry and a crown. Vishnu is depicted in a four-armed
form, holding a conch shell, a discus, a mace, and a lotus flower in each hand.
These attributes symbolize his divine powers and roles in the universe. The
statue's serene facial expression conveys a sense of tranquility and wisdom,
reflecting Vishnu's role as the preserver of the cosmos.
The sculptor has meticulously
rendered the details of the figure's attire, ornaments, and musculature,
showcasing a high level of craftsmanship. The flowing drapery, intricate
jewelry, and delicate facial features all contribute to the statue's overall
aesthetic appeal. The use of bronze as the medium adds to the statue's
durability and lends a rich, warm tone to its surface.
Historical Context
The Angkor period witnessed a
profound influence of Hinduism on Khmer art and culture. Vishnu, along with
Shiva and Brahma, formed the Hindu trinity, and his worship was widespread
throughout the empire. The construction of numerous temples dedicated to
Vishnu, such as Angkor Wat and Preah Khan, further underscores his importance
in Khmer religious beliefs.
The statue's artistic style aligns
with the prevailing aesthetic trends of the Angkor period. It exhibits a blend
of Indian and local influences, reflecting the cultural exchange between the
two regions. The use of bronze as a medium was also common during this time, as
evidenced by the numerous bronze sculptures discovered at Angkor and other
Khmer sites.
Provenance and Controversy
The statue's history is shrouded in
uncertainty, with its provenance and ownership raising questions. It is
believed to have been stolen from Cambodia at some point before or around 1965,
as it was sighted in Bangkok, Thailand, on October 8, 1965. Its presence in New
York City in 2018 suggests a complex journey through the art market.
The statue's illicit origins raise
concerns about the ethical implications of its trade and ownership. The illicit
antiquities trade deprives countries of their cultural heritage and fuels
illegal activities. Efforts to repatriate stolen artifacts to their countries
of origin are crucial for preserving cultural heritage and promoting ethical
practices in the art market.
Conclusion
The bronze figure of Vishnu is a
remarkable testament to the artistic achievements of the Khmer civilization. Its
intricate details, serene expression, and historical significance make it a
valuable piece of art. However, the statue's controversial provenance
underscores the challenges faced in preserving cultural heritage and combating
the illicit antiquities trade.
Further Research
- The Angkor period and its cultural significance.
- The role of Hinduism in Khmer art and religion.
- The illicit antiquities trade and its impact on
cultural heritage.
- Efforts to repatriate stolen artifacts to their
countries of origin.
Additional Considerations:
- The statue's current location and ownership status.
- The legal and ethical implications of its ownership.
- The role of museums and art institutions in preserving
cultural heritage.
By exploring these aspects, we can gain a deeper understanding of the bronze figure of Vishnu and its place within the broader context of Khmer art and culture.
#KhmerMusuem #KhmerAntique #Vishnu #BronzeFigure
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