KHMER MUSEUM

Pieces of Jayavarman VII statue had been discovered by Henri Marchal in 1924, and he had kept them in Angkor Conservation in 1931. After that, Georges Groslier took them to National Museum Of Cambodia and restored them in 1934. By 1998 conservation and maintenance team of National Museum of Cambodia were found that the restoration was not suitable, and they decided to take them off and maintained it technically until they were finished in 1999. Note: Right arm of Jayavarman VII has been discovered in 1990, and left arm has been discovered in 1924. Archaeologist and Angkorian research, Professor Michel Tranet has claimed that they were the hands of Jayavarman VII, but he has never restored them by his own hand. His claiming has been showed up in 2019 by French Researcher Team. They used 3D scanner to restore them. The technical restoration showed that both hands were the hands of Jayavarman VII because they were symmetrical nearly 100%. Reference: National Museum Of Cambodia Image: Nati...

Discovery and Restoration of Jayavarman VII

Jayavarman VII, one of the most revered monarchs of the Khmer Empire, remains an iconic figure in Cambodia’s history for his devotion to Buddhism and his contributions to architecture, infrastructure, and spiritual development. Among the artistic legacies of his reign is a stunning portrait statue that has undergone numerous discoveries and restorations over the years. The intricate journey of piecing together this statue from fragments discovered over decades reveals the combined efforts of archaeologists, researchers, and conservationists to preserve this remarkable artifact. Initial Discovery The portrait statue of Jayavarman VII first drew attention in 1924 , when Henri Marchal, a French archaeologist working in Cambodia, discovered several fragments of the statue near the North Gate of Angkor Thom . These pieces, which included parts of the torso and head, were carefully preserved and stored at Angkor Conservation in 1931. Recognizing the significance of these fragments, Georges ...

The Greatest Civilization of Southeast Asia in Pre-Angkor and Angkor Period: Temple Zone of Sambor Prei Kuk, Archaeological Site of Ancient Isanapura

Introduction The Temple Zone of Sambor Prei Kuk , located in present-day Kampong Thom, Cambodia , represents one of the most remarkable remnants of Southeast Asia’s pre-Angkorian civilization . This ancient city, known as Isanapura , was the capital of the Chenla Kingdom in the 7th century AD and played a crucial role in shaping the architectural, cultural, and religious landscape of the Khmer Empire that followed. With its distinctive brick-built temples, intricate carvings, and unique octagonal towers , Sambor Prei Kuk stands as a testament to the ingenuity and artistic brilliance of early Khmer civilization. Recognizing its historical and architectural significance , UNESCO officially inscribed the Temple Zone of Sambor Prei Kuk as a World Heritage Site on July 8, 2017 . This inscription not only highlights its cultural value but also underscores its influence on the later development of ...

One of the Most Ideal Image Masterpieces of Hinduism: Schist Figure of Vishnu Khmer

Summary The highly important and largest schist figure of Vishnu Khmer at National Museum of Cambodia. The most outstanding statue in Pre-Angkorian Period. The perfection of the statue make it to be one of the most ideal image masterpieces of Hinduism. Period: Nokor Phnom (Vnum, Funan) Date: 6th Century Style: Phnom Da Height: Est. more than 3 meters Provenance: Phnom Da, Angkor Borei district, Takeo province Introduction Among the treasured artifacts housed in the National Museum of Cambodia, one piece stands out as a testament to the artistic and spiritual achievements of ancient Khmer civilization—the schist figure of Vishnu Khmer. This towering masterpiece, created during the Nokor Phnom period (also associated with Funan) in the 6th century, embodies the zenith of Pre-Angkorian artistry and Hindu religious expression. The figure’s remarkable craftsmanship, historical significance, and enduring spiritual resonance solidify its status as one of the most ideal image masterpieces of ...

The Most Popular and Beautiful Painting About Angkor Wat: Detail of a view of Angkor Wat

Summary "Detail of a view of Angkor Wat". Artist: Louis Delaporte Date: 1868 *Note: The original name of Angkor Wat is "Parama Vishnuloka (Meaning: The sacred dwelling of Vishnu)". Introduction The captivating artwork Detail of a View of Angkor Wat by Louis Delaporte, created in 1868, offers a remarkable glimpse into the splendor of Cambodia’s iconic temple complex. Angkor Wat, originally named Parama Vishnuloka —meaning “The Sacred Dwelling of Vishnu”—is celebrated as one of the most extraordinary architectural and spiritual marvels in the world. Delaporte’s painting captures the ethereal beauty and grandeur of this ancient site, encapsulating its historical and cultural essence. The Historical Context of the Painting Louis Delaporte, a French artist and explorer, played a significant role in bringing the grandeur of Angkor Wat to European audiences in the 19th century. His journey to Cambodia as part of the Mekong Expedition in the 1860s led to the creation of nu...

The Rarest Postcard of Preah Khan Temple

Postcard of Preah Khan Temple made in 1909 Preah Khan Temple Period: Angkor (Khmer Empire) Date: 12th Century Material: Sandstone King: Jayavarman VII Architectural style: Bayon Style Location: Krong (town) Siem Reap, Siem Reap Province. Preah Khan, one of the most magnificent temples in Cambodia, holds a rich history that captivates visitors from around the world. Nestled in the Angkor Archaeological Park near Siem Reap, this 12th-century masterpiece was constructed by King Jayavarman VII to honor his father. While many appreciate the grandeur of the temple itself, few realize that artifacts associated with it, such as rare postcards, can be just as valuable. Among these, one particular postcard has earned the reputation of being the rarest and most sought after. The Historical Significance of Preah Khan Preah Khan, meaning “Sacred Sword,” served not only as a temple but also as a Buddhist university and monastery. It was once a bustling hub of activity, housing thousands of scholars,...

Who were the enemies of Khmer Rouge?

Who were the enemies of Khmer Rouge? There were two groups of people that Khmer Rouge considered as their enemies: 1. Inside: Officers in Khmer Republic, New Member or People of April 17, intelligential, people that have opposite idea, and people who violated the rule in their regime. 2. Outside: Yuon (Vietnam), USA (CIA), Soviet Union (KGB)… Need to know: Most of victims who died in the Khmer Rouge regime were Cambodian innocent people that Khmer Rouge had accused even though they didn't have any evidences. If someone who has been accused by Khmer Rouge, he/she had to be punished. *Consider: The Khmer Rouge regime, or Democratic Kampuchea, adopted two political programs of the People's Republic of China that had failed to implement: 1. The Great Leap Forward (1958-1962), which killed from 20 to 48 million Chinese people. 2. T he Cultural Revolution ( The Great Proletarian Cultural Revolution: 1966-1976), which killed nearly 20 million Chinese people, including more than...

BVLGARI Show at Bayon Temple

BVLGARI, the world-renowned luxury fashion brand, organized a gala dinner event called BVLGARI AETERNA to showcase its product designs at Bayon Temple in Angkor archaeological site, Siem Reap. The fact that a globally prestigious jewelry company chose to host an exhibition of its exquisite jewelry in Cambodia—while also bringing in world-famous celebrities—demonstrates its confidence in Cambodia’s capabilities, stability, and security. Additionally, it highlights the esteemed reputation of the Angkor archaeological site, which is one of the most attractive tourist destinations among the world’s renowned heritage sites.

The Lost Treasure: BRONZE DAGGERS

Summary Period: Angkor (Khmer Empire) Date: Around 13th century The longest one is 73.7 CM. Cambodia has already lost them. They had been seen in Doris Wiener Gallery, New York, 1988. On March 20, 2012 they had been sold at auction, and today we don't have any information about them. The Angkor period, synonymous with the grandeur of the Khmer Empire, is a testament to the architectural, artistic, and cultural zenith of Southeast Asia. Among its many remarkable creations, the enigmatic bronze daggers stand as a symbol of the empire’s sophisticated craftsmanship and historical legacy. Tragically, these artifacts, once an integral part of Cambodia’s heritage, have been lost to time and obscurity. Their journey from ancient Khmer workshops to modern auction houses tells a story of both wonder and loss, highlighting the fragile nature of cultural preservation. Dating back to the 13th century, the bronze daggers of the Angkor period were masterpieces of metallurgy and design. While th...

The Lost Treasure: A Bronze Khmer Ewer

"A bronze Khmer ewer and cover Period: Angkor (Khmer Empire) Date: 12th century" Introduction The Khmer Empire, known for its grand architectural marvels and artistic achievements, flourished between the 9th and 15th centuries in what is now Cambodia, Thailand, Laos, and Vietnam. Among the many artifacts that bear testament to this empire’s rich cultural heritage is the Bronze Khmer Ewer from the Angkor Period (12th century). This exquisite vessel, with its intricate design and historical significance, represents not just a utilitarian object but a relic of Cambodia’s glorious past. However, like many treasures from Cambodia, this ewer has become part of a broader story of lost and looted antiquities. This article delves into the history of the Khmer Empire, the significance of this bronze ewer, and the unfortunate reality of cultural artifacts disappearing from Cambodia. History of the Khmer Empire The Khmer Empire was one of the most powerful and sophisticated civilizations...

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